Choosing Great Story or Book Titles



Which book would you more likely to buy?

 Inspirational Stories and Anecdotes


Chicken Soup for the Soul

The right book title can mean the difference between rejection and marketing phenomenon. But how do you go about choosing the right book title? Here are a few ideas:

Use a line of dialogue

This can be an especially good approach if you have a distinctive character, setting, or genre. A good line of dialog can convey something about the story and its setting as well as the character.

Create an element of mystery

Is there an obscure term, phrase, object, or activity in your story? Readers probably won’t know what the story title means initially, but will have an “aha” moment when they come upon the title within the story.

Borrow interest

Play off a well-known event or make a cultural reference. Look to popular expressions and proverbs. This can be particularly effective if you are using the term in a fresh context (Two for the Dough).

Steal interest

Well, not steal, exactly. Fair use allows you to take a line or phrase from a poem or a book—just don’t quote large passages without permission (unless the work is in the public domain). Common sources writers have used for creating great book or story titles include the Bible, Shakespeare, and poetry from writers such as William Blake, T.S. Elliot, and William Butler Yeats.

Incorporate action

A book title can include a possessive (Portnoy’s Complaint), describe an activity (Waiting to Exhale), or indicate an earlier action (The Spy Who Came in from the Cold).

Pair unrelated words

Think names of rock bands. You can create tension, humor, or mystery by juxtaposing words that seemingly have nothing to do with each other (A Clockwork Orange). Ideally, there should still be some connection to the content, even if it’s just the feeling or impression the title evokes.

Have a little fun

If it is a light or upbeat story, consider puns, plays on words, joke punchlines, and other sources of comedy for the title. Light mysteries seem to lend themselves well to this treatment (Cooking Can Be Murder).

Go very short or very long

Book titles that are very short (1984) or very long (Good Omens: The Nice and Accurate Prophecies of Agnes Nutter, Witch) stand out.

Don’t be too literal

Convey the content, style, or theme of the story, but don’t be too obvious. You might reference something connected to the story (Jaws) or make a play on words (Time to Kill). It might be an action your character takes, something taken out of context, or an ironic twist (The Talented Mr. Ripley). Just don’t give too much away (Gone with the Wind was originally titled Tomorrow is Another Day).

Don’t mislead the reader

Unless the irony is clear, don’t give a humorous title to a sad story or a romantic title to a story without romance. A book title that deceives the reader—unless done for obvious effect—will lead to a disappointed reader.

Wait until the work is completed and the title may emerge on its own

Don’t create a title and write toward it. The story may take you in another direction or you may unintentionally constrain yourself. When the work is complete, go through it carefully and see what comes to you.

Nancy Sakaduski

Nancy (Day) Sakaduski is an award-winning writer and editor who owns Cat & Mouse Press and runs the Rehoboth Beach Short Story Contest. She helps writers perfect their short stories and prepare them for publication, and curates a free weekly online newspaper, Writing is a Shore Thing ( Nancy is the author of 24 books, including How to Write Winning Short Stories. She founded Cat & Mouse Press to create “playful” books with a connection to the Delaware shore and provide a way for new and emerging writers to have their work published.